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limbo films > sitemap > ray giarratana | |
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 Limbo Sitemap :: Choose from the topics below.
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 Film & Video Production. Anytime, Anyplace, Anywhere. // Ray Giarratana Ray and his difficult Italian name (“jer-a-tanna”) have been a staple in the commercial industry for many years. For 6 years he was a Visual Effects Supervisor at Digital Domain. Joining Limbo Films as a Commercial Director to pursue live action work, Ray brings a strong sense for comedic timing and animated performances. His Directorial credits include spots for Coca-Cola, Budweiser, Pontiac, and Hallmark. One of his recent accomplishments has been directing the 70mm film “Artist’s Journey: Funk Blast” for the new Experience Music Project in Seattle. As Visual Effects Supervisor, he lent his talents to spots for Mercedes-Benz, AT&T, Coca-Cola, Dr. Pepper, the entire Budweiser “Louie the Lizard” campaign and many others. During that phase of his career Ray worked with many notable directors including: David Kellogg, Bruce Doward, Michael Bay, Jan de Bont, Joe Pytka, Bob Geraldi, Jeff Gorman, Mark Coppos, Brent Thomas, Peter Nydrle, Eric Sararinen, Frank Todaro and a bunch more rich guys with fancy names. Before Digital Domain, Ray spent 7 years with Pacific Data Images serving as a Visual Effects Supervisor on numerous commercials and music videos including Michael Jackson’s infamous “Black or White.” Ray’s early years were spent as a sound engineer for various concert venues across South Florida working with big name comedians including Joan Rivers, David Brenner, Paul Reiser, Shecky Greene, Freddie Roman and many others forming the comedic sensibilities that he draws on to this day. All this experience in film production makes Ray a perfect choice for your Director, whenever comedy and post effects collide. Ray has won numerous awards for his work, including Clios, AICP awards, and national Emmy’s. He lives in Los Angeles and loves any excuse to get out of there, even if for just a meeting. To read more about Ray Giarratana click here :: ray giarratana |
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